June 22 - Hotel Normandie (605 Normandie Ave, Los Angeles, CA 90005) and June 23 - The Globe Theatre (740 S. Broadway, Los Angeles, CA 90014)

FAQ


The Great American PitchFest is a two day event. Day one will be held at Hotel Normandie and features a pitch bootcamp. Day two will be held at The Globe Theater and features a screenwriting session followed by a pitch session, with approximately 100 production companies, agents, managers, and other industry professionals seeking material to option, and writers to hire, manage, and represent. Find the connections you need and develop the skills for your screenwriting career to move forward during this life changing event!

Friday, June 22 – Pitch Bootcamp

Hotel Normandie (605 Normandie Ave, Los Angeles, CA 90005)

Kick of the event by honing your pitch at: PITCH BOOTCAMP (7pm – 10pm)

Make new friends as you practice your pitch, learn from others as you hear theirs, and hone your script to its most powerful and pitch-worthy perfection.

Saturday, June 23 – Screenwriting Session

The Globe Theatre (740 S. Broadway, Los Angeles, CA 90014)

The day starts of with: SCREENWRITING Session (9am – 12pm)

More details on this class coming soon!

Followed by an afternoon of pitching: PITCHING (1pm – 6pm)

A full afternoon of pitch meetings for writers with Agents, Managers, Production Companies, Investors, Distributors, & other industry professionals, as well as our Executive Luncheon, and the Sweet Taste of Success Cocktail Party.

Full list of participating companies available here! Check back often, as companies are added regularly.


Writers who have attended have:

  • Had scripts optioned
  • Signed with agents & managers
  • Been hired as writers
  • Developed coproduction partnerships
  • Found writing and producing partners
  • Created a support network & friendships with other writers, producers, directors, and industry professionals
  • Developed their skills as a writer
  • Made crucial industry contacts

Hollywood is about relationships. During ScriptFest and the Great American PitchFest, deals are struck, partnerships are formed, and writing careers are launched. If you don’t know anyone in Hollywood, you certainly will by the end of the event. Attending this life-changing event can be the single best thing you can do towards building your screenwriting career.


Writers, Producers, Directors, and anyone with a project to pitch should not miss out on this event. Even if you do not have a show to pitch, it is an opportunity to introduce yourself or your company, and begin the important process of building professional relationships. If you want to learn how to write a script, pitch, or become a better writer, this event is perfect for you.

June 22, 2018

Hotel Normandie
605 Normandie Ave
Los Angeles, CA 90005

June 23, 2018

The Globe Theater
740 S Broadway
Los Angeles, CA 90014

Full list of participating companies available here! Check back often, as companies are added regularly.


To attend ScriptFest and the Great American PitchFest, you must buy a ticket to the event before tickets are gone. Only 200 tickets will be sold. Click here.

Friday, June 22

7-10pm, Hotel Normandie (605 Normandie Avenue, Los Angeles, CA 90005)

Saturday, June 23

9am – 6pm, The Globe Theatre (740 South Broadway, Los Angeles, CA 90014)

You will require a badge to attend all events, so please allow adequate time to visit Registration before your first class, or pitch meeting.

Pick up your name tag and lanyard, as well as conference materials and complimentary goodie bags. Our team is ready and available to answer any questions you might have.


Participants are encouraged to wear casual business wear (i.e. khaki pants). Dress “smart”. Please wear comfortable shoes as you will be on your feet and walking around for large parts of the day. It is not necessary to wear a suit or dress, although it is not inappropriate either. It is also common and acceptable for participants at pitching events to wear costumes that relate to the projects they are pitching (i.e. a Mad Scientist costume for a children’s science series), but we caution you against doing it if there is a risk of seriously distracting from your pitch.

Here are a few suggestions to make your pitching event as successful as possible:

  1. Register and pick up your registration package early. Packages will be available at the Event Registration Desk.
  2. Pay close attention during the morning sessions and take extensive notes so you can apply what you learn to your pitch meetings.
  3. Prioritize who you want to meet with; try to have at least two ‘practice’ pitch meetings with others before meeting with the company you want to meet with the most.
  4. Wear comfortable shoes and clothing. You will be standing and walking a lot throughout this event.
  5. Checklist of things to bring with you: lots of business cards, onesheets, breath mints, bottled water, and snacks (powerbars, etc).
  6. Be professional and positive at all times, especially in the lines. You never know if you are standing next to a potential co-producer or business partner.
  7. Copyright your pitch, script, and/or idea with the Library of Congress or The Writer’s Guild, and seek legal advice about protecting the ownerships of your material/ideas.
  8. Be sure to fill out a comment card and let us know what else we can do to make ScriptFest and the Great American PitchFest even better!

Most importantly, HAVE FUN! And please, let the PitchFest crew know if there is anything we can do to assist you.


Absolutely! Onesheets, business cards, and similar items are often used as ‘selling tools’ and are a great way to present your material to a company.

Although they are not necessary to a great pitch, you may choose to supplement your pitch meeting with a onesheet – which are similar to a ‘flyer’ or movie poster to communicate your concept in a one page sheet, or as a double-sided document. Many industry executives like onesheets because they provide a visual reference to your story or idea, and it makes it easier for them to then present to their colleagues and other executives when pitching it at the office or at a studio. It is important to note that no matter how polished and professional a business card, onesheet, or any other type of presentation document, it cannot replace a great script or pitch.


Many new writers are so concerned that their ideas will be stolen that they are hesitant to pitch, but film is a collaborative medium. Without sharing your ideas, your project will never get any further than your hard drive.
Although we are not able to offer legal advice, we encourage and suggest you to seek legal counsel to ensure you are protected as much as possible. The following basic efforts are in everyone’s best interest, and generally required before a company will even review your work:

  • Register your material with the WGA. For pricing and other details, visit www.wga.org.
  • You will also want to register your material with the Copyright office www.copyright.gov.
  • Maintain a paper trail to track who you pitched, what you discussed, what was submitted, and record dates for all activities (ie meetings, phone calls, etc.). For an extra layer of protection, you may choose to send material through a third party, such as an agent, manager, or entertainment attorney. This helps to ensure you have a witness who can back up your claim.

All of the individuals you meet at the Great American PitchFest are professionals who are carefully screened, and it is highly unlikely that your script or idea would ever be ‘stolen’. The reputations and careers of these people would be at risk if they were to intentionally steal an idea. In addition, the cost of fighting a lawsuit would be much greater than simply buying your script and sticking it in a drawer. Your best protection is to seek legal counsel, and at a minimum, follow our suggestions as indicated above.


Our companies are all carefully screened, and only the most credible companies in the industry are invited to hear pitches. They may include:

  • Agents
  • Managers
  • Distributors & Sales Agents
  • Production Companies
  • Funding Organizations & Investors
  • Broadcasters & Networks
  • Studio Representatives

Full list of participating companies available here! Check back often, as companies are added regularly.


A full profile for each company is available online in advance of the PitchFest.

This profile booklet outlines what each company has produced in the past, what they are looking for at present, specific information regarding stars they have relationships with, directors they work with, and a wide variety of other pertinent information. It is the most thorough such resource in the industry.

Full list of participating companies available here! Check back often, as companies are added regularly.


Invitations to the companies hearing pitches are sent out approximately six weeks before the event, and profiles are added to the website as they are completed here.

If you are interested in seeing a particular company attend, please let us know and we will make every effort to invite them. Please email us the name of any particular company you would like to see at the Great American PitchFest, and preferably a website, phone, fax number, and/or address if possible.

At the Great American PitchFest, there is no signup process. You simply meet with as many companies as you wish, and whichever ones you choose. It’s that simple. You just get in line and meet with whoever you wish. You pay one price which allows you full access to the PitchFest, where you can pitch as many companies as you like. Most people pitch between 12 – 20 meetings.
Generally each meeting is five minutes long in length. However, if the executive you are meeting with wants more time with you, they are welcome to meet with you as long as they wish. We simply ‘hold the line’ until the executive is ready for the next person. Meetings can be as long as the executive wants them to be.
Not at all. For every two participants who attend the PitchFest, we invite another company to hear pitches. This guarantees that the lines are never very long. Because the ratio of participants to companies is low, this means you never have to wait very long to meet with anyone. Some companies may be more in demand than others, so their lines may become slightly longer, leaving other lines very short with minimum or no waits. As our registration grows, the number of invited companies is also increased so that lines are consistently short. Often, some of the most beneficial relationships are formed in these lines, providing further opportunities to network and seek potential co-producers.
Yes. Sometimes two or more people will want to pitch together (i.e. writing teams). They simply share a place in line, and then enter the pitching room together.
A full class description can be found HERE.
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Call Jeannie at 573-645-6503 or submit the form on our contact page.  Please be as detailed as possible.
We are a group of writers and producers dedicated to helping others to get their scripts and projects produced. Your success is also ours, and we are very proud to have helped many of our writers achieve their screenwriting goals.

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